Urban
Fantasy
·
Fantasy
in which magical beings live alongside humans in a recognizable contemporary
urban environment. Most humans may or may not be aware of it.
·
Contemporary
and urban – To a fantasy reader they are, somewhat jarringly, set in the here
and now. Even though fantasy stories have often been set in cities in past time
periods, the contrast between the reality we experience and what the characters
are experiencing is one of the defining characteristics of Urban Fantasy. Magic
entering into and disrupting our urban environment.
·
Magic
and technology work side by side. A potential source of conflict. For example many of the fae are traditionally
unable to tolerate cold iron, which is how humanity gets one up on them. How do the fae deal with living in a modern
city?
·
Authors
have fun figuring out how different magical species could operate, often
covertly, in our world. How would they
blend in? How would they be revealed?
What would the results be?
·
Can
be very, very set in the landscape and environment. Minute description of the
contemporary environment – naming local landmarks, for instance – help with the
sense of disconnect for the reader. What
do you mean Minnehaha
Park
is the battleground for the fae? (War for the Oaks, Emma Bull)
·
Often
violent – Humans are not necessarily the apex predator anymore and this causes
conflict. Either humans are trying to
keep the supernatural in check – (Anita Blake, vampire hunter) – or the
supernaturals are policing their own for their own self-interest – trying
staying hidden or as nonthreatening as possible. (Mercy Thompson series by Patricia Briggs)
·
A
lot of very strong women protagonists who do what they have to do. Authors are able to create roles for their
women characters that defy or subvert traditional gender roles because they’re
dealing with an “other” Earth. Watching the authors and characters figure out romance
is … interesting, and sometimes a little uncomfortable making, especially when
they involve the rules of magical societies. (Enchantment Emporium by Tanya
Huff)
·
Tend
to not soften the realities of magical beings’ cultures/necessities – vampires
drink blood and werewolves spend part of the time being wolves – and what those
imply for everyday life.
·
Protagonists
often up against beings or situations that are stronger than they are. (Seanan
McGuire – Discount Armageddon. In
Cryptid series.)
·
Often
tough humor thrown in. (Dresden Files by Jim Butcher)
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